Past Exhibitions

The Summer Playground of the Nation
Summer 2023
Maine's many natural attractions-clean fresh air, pristine wilderness, and beautiful shorelines-have been drawing visitors since the mid-19th century. After the Civil War urban dwellers from Boston, New York, and Philadelphia flocked north in search of relief from the noise and crowded conditions of the city. By the late 1800s, the beach communities in southern Maine were attracting droves of summer visitors. In 1898 the Old Orchard Pier and boardwalk opened and the area was promoted as the "Coney Island of New England." By then the coast was full of resort hotels, restaurants, and amusement parks-a real destination for boisterous, fun-loving pleasure seekers. For those of a quieter disposition, the peaceful shores of Biddeford Pool and Saco's Ferry Beach and Camp Ellis were more comfortable. With the 20th century came the automobile, which allowed even more people from a wide variety of backgrounds to make the trip to "Vacationland," the motto on Maine license plates since 1936. Today tourism remains Maine's biggest industry. This exhibition featured photographs, souvenirs, and other memorabilia that tell the story of the Summer Playground of the Nation. This exhibit relived the heydays of the resort hotels, promenades along the Old Orchard boardwalk, the all-night dances of the 1920s & '30s, and summer picnics.

Repurposed: Saco Schools PreK-8 Art Show
The Saco Museum presents Repurposed: Saco Schools Pre K - 8 Art Show, featuring the artwork of our talented local Saco students. See how students "repurposed" everyday items and bring new life to normally discarded items through their imagination and creativity. There will be an Opening Night Reception on Friday, March 17th from 5pm- 7pm. Everyone is invited!

Pastel Painters of Maine Juried Exhibition
The Pastel Society of Maine (PSME) hosted their 2022 Open Juried Exhibition, "Pastels Only," at the Saco Museum. This special exhibition displayed works of pastel artists from Maine and beyond.

Boom, Bust and Beauty: Commerce and Culture in Southern Maine, 1785-1835
The Saco Museum presented Boom, Bust, and Beauty: Commerce and Culture in Southern Maine, 1785-1835. The early 19th century was an eventful time in southern Maine, a time when the boom times were alternating with the bad. The profitable lumber trade with the West Indies brought Maine ships laden with rum and molasses. Fine houses and fashionable goods flourished, but causes for celebration were tampered by the Embargo of 1807, the War of 1812, the "year without summer" of 1816, and other local disturbances. Using archival materials and rarely-seen objects from the museum's collection, Boom, Bust and Beauty described how these events affected the people of southern Maine.

Creative Spirit - Maine Art Education Association Exhibit
Creative Spirit included more than ninety works, including paintings, prints, sculpture, photographs, and fiber arts created by visual art teachers from throughout the state. The Maine Art Education Association is a statewide professional organization whose members are committed to excellence in visual arts education. MAEA welcomes Visual Art educators from Pre-Kindergarten through Grade 12, higher education, art education students, museum educators and retired art educators. For more information, visit their website at

Image credit: Susan Hanson, Mt. Agamenticus, Fall, oil, 2021

Home and Abroad: Saco At War
"Home and Abroad: Saco at War," a mini exhibit, was created by University of Southern Maine Art Department student Abby Dell'Erba, who interned with us over the summer of 2021. The display covered Saco's involvement in the Civil War, World War I, World War II, and the WWII Home Front. Many of these artifacts were donated to the Saco Museum from local veterans who served.

"I Have Always Found Pleasure in Painting": Gibeon Elden Bradbury (1833-1904)
The Saco Museum displayed more than eighty paintings, studies, and sketches by artist Gibeon Elden Bradbury that capture the quiet beauty of the Saco River Valley during the late 19th century. A native of Salmon Falls in Buxton, Maine, Bradbury regularly exhibited his works at local art expositions and county fairs. Many of his works are small intimate depictions of the places, flora, and fauna that he loved.

"For Pastels Only" by the Pastel Society of Maine
The Pastel Society of Maine (PSME) hosted their Nineteenth International Juried Exhibition, "For Pastels Only," at the Saco Museum. This special exhibition featured works of pastel artists from Maine and beyond.

Craft and Comfort: Furniture for the Saco Home

The Saco Museum held an exhibit of fine furniture from the early Republic where visitors saw how the elite of coastal Maine towns furnished their rooms during the late 18th and early 19th centuries. This exhibit showcased various pieces from talented local cabinetmakers such as Joshua Cumston and David Buckminster (Cumston and Buckminster) and locally owned pieces built by John and Thomas Seymour, as well as furniture made in York County and Massachusetts.

Art Around The World: Saco K-8 Student Art Show

The Saco Museum came alive with vibrant artwork from our local young artists from the Saco schools! The theme was "Art Around The World" where students found inspiration from artistic traditions around the globe.

Buried in Time

Laurel Hill contains the graves of most of the people who played an important part in the history of the community, but it is also the final resting place of numerous less well-known individuals who led interesting, and historically revealing, lives. Buried in Time features portraits, photographs, documents, and other personal objects associated with a variety Saco residents, from all walks of life, who are buried in the cemetery.

Lost Landscapes by Charles Thompson

Lost Landscapes featured the plein air paintings of University of New England Professor of Art Charles Thompson. Thompson paints entirely from life, beginning and completing each painting on location. The places he paints tend to go unnoticed by most people. By capturing these seemingly ordinary places with passion and vigor, he hopes to transform these scenes into extraordinary and sensitive images for others to share in his celebration.

Winter in Maine

Maine winters can be long and cold - and in the days before central heat and modern insulated clothing, they probably felt even colder. However, New Englanders are hardy people, and have long made the best of the winter months. Winter in Maine explored the way Mainers have worked and played in the cold winter months over the last 200 years.

Dahlov Ipcar Mini Exhibit

The Saco Museum had a Dahlov Ipcar mini exhibit up for the month of October. Maine artist Dahlov Ipcar was born in Windsor, Vermont, on November 12, 1917. Her parents, William and Marguerite Zorach, were both well-known modernist artists. She was raised in Greenwich Village, New York City, and summered in Maine after her parents bought a farm on Georgetown Island in 1923. In 1937, Dahlov married Adolph Ipcar, and the next year the couple moved to Maine to live on the family farm in Georgetown year round.

With the encouragement of her parents, Dahlov began painting at an early age, and had her first show at the Museum of Modern Art In New York at the age of twenty-one. During a career that spanned more than eight decades, Dahlov wrote and illustrated more than thirty children's and young adult books, starting with The Little Fisherman (by Margaret Wise Brown) in 1945. Her paintings can be found in all the major museums in Maine, as well as several institutions in New York. Today she is best known for her colorful and imaginative depictions of animals in a variety of settings, from New England farms to exotic locations in Africa and South America.

Dahlov passed away in her Georgetown home at the age of 99 on February 10, 2017, after a morning of painting.

"Down East," Monotype Guild of New England juried show

"Down East" featured 50 monotypes and monoprints chosen by jurors Catherine Kerman and Josephine Graf from 115 works submitted by 84 artists. The Monotype Guild of New England is a nonprofit organization of contemporary artists creating unique impressions by working in the medium of monotypes and monoprints.


Sumptuous fabrics, vibrant colors and textures, masses of elaborate trims - all are defining elements of fashionable Victorian women's clothing. Nineteenth-century designers had very definite ideas of what constituted beauty, and these concepts had a widespread impact on art and design. Embellishments in Victorian Fashion focused on how nineteenth-century aesthetics influenced women's clothing design and construction. It featured fifty garments from five institutions in Maine and New Hampshire.

Art, Artifacts, and Anecdotes: 150 Years of Collecting at the Saco Museum

Established in 1866 as the York Institute, the Saco Museum celebrated its 150th anniversary in 2016. In the years since its founding, the Museum has acquired a rich and diverse collection of objects. Many of these artifacts came to the museum with fascinating accounts of the people who owned or made them.

Four Elements & Five Senses

The theme of this exhibition asks artists to explore ways in which we perceive, experience, and respond to the wonders of the world around us. Artists will discuss the ideas for their work in a panel discussion on Saturday, February 27 from 12 - 12:45 with a reception to follow from 1 - 3 p.m. The artists in this show teach in Maine's public and private schools and universities and are members of the Maine Art Educators Association.

Beneath the Surface

This special exhibition featured work from New England Wax (N.E.W.), a regional association of artists who work in encaustic, a beeswax-based painting medium. Juried by Ron Crusan, Executive Director and Curator of the Ogunquit Museum of American Art, the exhibition included 103 works by twenty-five artists representing all six of the New England states.

Definitions: Words Interpreted by Fiber Artists

Definitions: Words Interpreted by Fiber Artists, was the realization of over a year's worth of meetings and work on the part of the Art Quilt Designers. After participating in many theme-related monthly projects and studying from several design books, the members of Art Quilt Designers challenged themselves to interpret one word per month. Each month a different member provided the word challenge, but there were no limitations imposed on the members as to the size of the finished works, the materials used, or the methods employed. Definitions was the culmination of this project and features fascinating, visually stunning, and widely varying interpretations for a single word.

The Language of Art: Student Art Show
"The Language of Art", focused on the principles of art. The principles of art are the guidelines that govern the way artists organize the elements of art. These principles are balance, color, shape, line, texture, form, value, space, unity, contrast, pattern and rhythm.

"Industry and Virtue Joined": Schoolgirl Needlework of Northern New England

After the Saco Museum's successful 2013 sampler exhibit, "I My Needle Ply with Skill," and the book by the same title, the museum was recognized as an important repository for and center of scholarship on northern New England samplers and silk embroideries. in 2015 the museum offered a second exhibition on schoolgirl embroidery.

More than 130 important northern New England samplers were on exhibit including forty-one samplers from Maine and ninety-five from New Hampshire. Notable Maine needlework in the exhibition included two almost identical samplers completed by twins Flavilla and Mary Jane Barker in Portland in 1818, reunited for the first time in nearly 190 years, as well as works from the schools of the Misses Martin and Rachel Hall Neal. "Industry and Virtue Joined" also featured what is most likely the largest group of New Hampshire samplers ever gathered together in a single room. The exhibition included twenty-one samplers from Portsmouth, significant examples of schoolgirl needlework from the Canterbury area and Pinkerton Academy in Londonderry, as well as many beautiful works from small towns across both states.

A full-color catalog of the exhibition is available.


The Saco Museum is pleased to present A Twenty Year Retrospective, organized in cooperation with Saco Bay Artists. This exhibition will be on view October 10 through November 8, 2015. Saco Bay Artists have been active in the area for twenty years. This retrospective will bring together many past and current members to celebrate this achievement. An opening reception for the exhibition will take place at 5:30 Friday, October 9, 2015.

At Home in the Victorian Era

The 19th century was a time of great change. Rapid industrialization and the expansion of commerce led to an explosion in the production of consumer goods. At home people surrounded themselves with what seems to be - at least to modern eyes - an extravagant amount of clutter, creating over-filled and rather claustrophobic spaces. Yet to the Victorians these ornamental objects, and their arrangement, had meaning. They were essential components of the ideal refined home, the center of family and cultural life.

Pastel Painters of Maine 2014 15th International Juried Exhibition for PASTELS ONLY

The International Juried Exhibition for Pastels Only. Nationally-known pastel artists served as jurors, judging awards and conducting demonstrations and workshops.

2013 1st Place - PPOM Award of Excellence
Lyuba Zhdanova, "Water-Lily"

From the Elegant to the Everyday: 200 Years of Fashion in Northern New England

Drawn from the collection of the Saco Museum, as well as other institutions in Maine and New Hampshire, this exhibition focused on the clothing worn by the inhabitants of northern New England from the 18th through the 20th centuries. It included not only examples of "best" dress, but also items of everyday clothing. Fashionable attire was not confined to just special occasion garments or the clothing of the elite; even ordinary clothes reflected the current style of their day. In addition to outerwear such as 18th-century cloaks, ladies' gowns of the 19th century, and 20th-century men's suits and military uniforms, a wide variety of accessories were on view.

An exhibit catalog for "From the Elegant to the Everyday" is available.

"After Hours" Maine Art Education Association Members Exhibition

This exhibition brought together the creative work of Art educators from around the state of Maine to celebrate the studio practice and exploration that takes place outside the classroom "after hours". A variety of mediums were showcased including: drawing, painting, printmaking, photography, fiber art, sculpture, ceramics, digital art, and mixed media.


The University of New England and the Saco Museum teamed up to create an exhibition celebrating the 150th anniversary of the Civil War. Dr. Elizabeth A. De Wolfe, Professor of History at the University of New England, and Camille Smalley, Collection and Research Manager for the Saco Museum, team-taught an exhibition class titled "John Haley's Civil War." The resulting exhibition of the same name was curated by students in the class and featured a treasure trove of artifacts related to the Civil War, including prints by Winslow Homer, decorative arts, Civil War weaponry and uniforms.

"I My Needle Ply with Skill" Maine School Girl Needle Work of the Federal Era

This exhibit took an in-depth look at the complex and lovely needlework created in Maine by schoolgirls of the late 18th and early 19th centuries. At a time when advanced academic opportunities for young women were limited, private academies, often run by women, offered training not only in academic subjects, but also in the fancy sewing skills that were of critical importance to future homemakers of the Federal era. While many of these schools were well established in southern New England states by the late 18th century, Maine developed private academies somewhat later. As these local academies grew and flourished, new styles of samplers and needlework evolved that were unique to Maine. This exhibit explored that evolution and offered a glimpse of a period of blossoming female creativity and accomplishment that transcended the societal limitations on women of the era. Over one hundred samplers and other embroideries as well as related items were on view, drawn from the collections of the Dyer Library/Saco Museum as well as other public and private collections in Maine and beyond.

"I MY Needle Ply with Skill" exhibit catalog is available.

RUGS ALL MARKED OUT: Biddeford's Edward S. Frost

"Rugs All Marked Out" celebrated the hooked rug innovator and entrepreneur Edward S. Frost, who launched a rug-pattern business right here in Biddeford, Maine, in the mid-19th-century. Originally presented at the Maine State Museum in 2006, "Rugs All Marked Out" featured rugs, burlap patterns, and metal stencils from the Maine State Museum collection. The original exhibition was enhanced with Frost rugs and patterns from the Saco Museum's own collections, all recent acquisitions.


Last exhibited in the 1890's and long considered lost, 800 feet of the painting were discovered in the collection of the Saco Museum in 1996. After its rediscovery, the painting toured several museums nationally and was described in the New York Times (April 4, 1999) as a "valuable and complex document".

Today it is an absolutely unique artifact. It is one of only a handful of surviving moving panoramas, and the only one to feature enormous, academically posed figure groups. Presumed lost for more than a century, it is a "missing link" to one of the rare moments in history when the pinnacles of the divergent worlds of fine art and popular commercial art were embodied in a single work.

THE 2012 MILL-ENNIAL: Celebrating the Art and Artists of the Cities on the Saco

48 works of art, 20 artists, two great locations, and one amazing community! Our biennial exhibition of work by artists associated with Saco, Biddeford, and Old Orchard Beach tool place simultaneously at the Saco Museum and at Engine in Biddeford. The 2012 Mill-ennial was organized by the Saco Museum in cooperation with Engine ( Presentation and promotion of the 2012 Mill-ennial was made possible, in part, with an Arts Visibility grant from the Maine Arts Commission.

UNCONVENTIONAL PORTRAITS: Photographs by Charles E. Moody

Charles E. Moody (1859-1915) was one of the most gifted and prolific photographers of the Saco River Valley. This special exhibition was co-organized by the Dyer Library, Saco Museum, and the McArthur Public Library in Biddeford.


This special show highlighted some of the standout acquisitions of the past year and a half. Among these were a 19th-century wedding gown, antique hooked rugs by Biddeford entrepreneur Edward S. Frost, and a large collection of glass and ceramics by New England manufacturers, generously given by the former Jones Museum of Glass and Ceramics.


The University of New England and the Saco Museum teamed up to create an exhibition on the great age of sail in Maine.

ART AND NATURE THUS ALLIED: Natural History and the Decorative Arts

Arts and the natural world intersected in this exhibition. Objects from the Saco Museum's natural history collections--shells, minerals, taxidermy--were displayed alongside magnificent furniture, glass, ceramics, and more, demonstrating how motifs in nature have been used in the decorative arts for centuries.

DRAWN FROM THE RIVER: Drawings by Artists of the Saco River Valley

Concurrent exhibitions at the Saco Museum celebrated the art of drawing, presented in conjunction with The Maine Drawing Project (

CHRISTY BERGLAND: Late Seasons of Great Pond

Two concurrent exhibitions at the Saco Museum celebrated the art of drawing, presented in conjunction with The Maine Drawing Project (

TWO HUNDRED YEARS OF THE ACADEMY: Thornton Academy Bicentennial Exhibition

A special exhibition presented simultaneously at the Dyer Library and Saco museum in conjunction with the bicentennial celebrations of Thornton Academy. Exploring tradition, mission and history, 200 Years of the Academy celebrated Thornton Academy's place in local history and the nation during the school's Bicentennial year.

POINT OF DEPARTURE: Works by Diane Bowie Zaitlin

Saco artist Diane Bowie Zaitlin attended a residency at Great Spruce Head Island Artweek in Penobscot Bay. In the exhibit "Point of Departure" she provided a view of her creative process and the power of influence from a period of immersion in her artwork in a setting of intense beauty.

Pictured: "Sea Sky II," encaustic on paper, 4 x 10 inches

PRACTICING WHAT WE PREACH: Work by Maine Art Educators

This exhibition brought together the creative work of art educators from around the state and celebrates the studio practice and exploration that takes place beyond the classroom.

THE MILL-ENNIAL: Celebrating the Art and Artists of the Cities on the Saco

Sixty-one works of art, 39 local artists, two great art venues, and one amazing community!


America's most iconic artist finished his career right here on Saco Bay. This exhibition, on the 100th anniversary of his death here in Maine, celebrated his long and illustrious career as a graphic artist. "In a Place By Himself: The Graphic World of Winslow Homer" was made possible by a grant from Saco & Biddeford Savings Institution.

A Treasured Ten: A Decade of Collecting at the Saco Museum

A Treasured Ten: A Decade of Collecting at the Saco Museum, featured a dazzling array of additions to the museum's collections since the start of the millennium. Paintings by masters of the Hudson River School, rare and important furniture and silver by 19th-century Saco artisans, and a magnificent selection of folk art sculpture were among the highlights of this exhibition.

Faces of Literacy, Voices of Courage

The special exhibition Faces Of Literacy, Voices Of Courage celebrated hope and success by highlighting people who have changed their lives through the Maine Literacy Volunteers Network. This special exhibition included about 20 photographs of Maine literacy learners, their tutors, and families by students and recent graduates of Portland's Maine College of Art.


For more than two hundred years, the Saco River Valley has nurtured a unique regional painting tradition. This special installation of works from the Saco Museums permanent collection spotlighted some of the key artists and subjects of that tradition, including portraits, landscapes, and still lifes by Gibeon Bradbury, John Brewster, Jr., William S. Gookin, Charles Henry Granger, William Matthew Prior, Hannah Skeele, and others.



The Pastel Painters of Maine, PPOM, hosted their Tenth International Juried Exhibition, For Pastels Only. This special exhibition and sale displayed works by pastel artists from Maine and beyond. There were 264 entries submitted by 100 artists from 22 states and Canada. Of these, 60 pieces by 50 artists representing 16 states were chosen. Sixteen of the exhibiting artists were from Maine, including Sandy Katz of Saco. The juror of selection for the exhibit was Bob Rohm, a signature member of the Pastel Society of America, National Academy of Professional Plein Air Painters, Oil Painters of America, and the author of The Painterly Approach.



This exhibition featured work from New England Wax (N.E.W.), a regional association of artists who work in encaustic (a beeswax-based painting medium). Juried by Katherine French, Director of the Danforth Museum of Art in Framingham, Massachusetts, the exhibition featured 77 works by 25 artists from throughout New England, including 11 from Maine.



For more than ten years, VSA Arts of Maine has organized an exhibition of art made by people with disabilities. The goals, then and now, are to provide an opportunity for these artists to exhibit their work, to increase awareness within the general population about the creativity and talent of people with disabilities, and to promote improved accessibility within Maine's arts and cultural facilities. The Saco Museum was proud to be the premiere exhibition venue for the 2009 exhibition, A Matter of Perception: Juried Exhibition by Artists with Disabilities.



“First Impressions: New Work by Peregrine Press Artists” featured the first public showing of a special portfolio of fine prints and other work created by artists affiliated with the Press, a printmaking cooperative located in the Bakery Building in Portland, Maine. The guest curator was Linda Konheim Kramer, Executive Director of the Nancy Graves Foundation in New York City.



In conjunction with the Maine Folk Art exhibit, the Saco Museum presented “A Seamstresss Art: Dolls by Mary Ellen Roberge,” an exhibition celebrating the creativity, culture and influences of a woman who touched many peoples lives with her art.



The Saco Museum was one of eleven museums across Maine exhibiting folk art collections simultaneously as part of the Maine Folk Art Trail 2008, a coordinated statewide exhibition. The Saco Museum exhibited items from its collection as well as objects on loan from the Brick Store Museum in Kennebunk and the Portland Fire Museum.


In April 1850, the body of a young woman was discovered in a stream near Storer Street in Saco, Maine. Investigation revealed that it was murder. Victim of Seduction explored the story behind this murder. The Dyer Library/Saco Museum (DL/SM) collaborated with Dr. Elizabeth A. DeWolfe and the Department of History at the University of New England (UNE) to create this exhibition based upon DeWolfes book, The Murder of Mary Bean and Other Stories. Using the story of Berengera Caswells life and death (Mary Bean was an alias), the exhibition explored several topics, including the changing role of women; competing medical practice and philosophies; the evolution of the criminal justice process; and sensationalism in the press. Newspaper accounts, textile artifacts, ladies accessories and numerous other items were used to tell Berengeras story.



In honor of Black History Month, the Saco Museum presented the exhibit “In the Shadow of Intolerance,” a remarkable collection of high quality, black and white photographs assembled by businessman Sam Zaitlin. The collection included rare and powerful images of the U.S. Civil Rights movement and key people associated with that movement, as well as a series of images documenting the Nuremberg Trials. 


Private John W. Haleys journal is both an engaging and heart wrenching account of the Civil War. A Saco resident, Haley kept a detailed account of his time serving in the Union Army during the War. The Saco Museum worked with private individuals and other institutions to compile an extraordinary exhibit focusing exclusively on Maines role in the conflict - How were the women and men of Maine influential in turning the tide of the War? Who were these people? The display showcased musket balls, rifles, swords, daguerreotypes, photographs, diaries, letters and uniforms to tell the story of Maine people and the war.



A Matter of Perception, was a juried exhibition organized by VSA arts of Maine, part of the VSA arts international network, dedicated to promoting education and lifelong learning opportunities in the arts for people with disabilities.

The Saco Museum and Art Quilts Maine (AQM) presented Wrinkles in Time: Historic Quilts to Art Quilts. Using quilts from the Museums collection, the history and tradition of quilts was explored in order to provide a context for appreciating how quilting has evolved into an art form. Over 80 art quilts from AQM members were on display, including interpretations of the traditional patterns “Log Cabin” and “New York Beauty.” 



Peregrine Press celebrated 15 years as a thriving printmaking collaborative. The work of all 30 Peregrine Press members was represented in the show. A broad spectrum of printing techniques, including lithograph, etching, intaglio and monotypes, were displayed. The exhibit coincided with the major statewide initiative Maine Print Project: Celebrating 200 Years of Printmaking in Maine.



This exhibition examined Jewish life over the last century through six aspects of history. Prepared by Jennie Aranovitch, a descendent of one of the first Jewish families in the area, the collection included community photos, historical documents, cultural artifacts, and films of synagogue events.


This exhibit focused on the history, religion, culture, and leisure activities of this local community. A part of the greater Chautauqua movement of the late 1800's, Ocean Park has remained a distinct and active aspect of our local heritage.


140 years of history, curiosities & decorative arts were on view at the Saco Museum. This major exhibition celebrated the museums rich history and its remarkable collection of decorative arts, textiles and furniture as well as some of the bizarre or unusual items. Founded in 1866 as the York Institute, the Saco Museum is one of the oldest museums in Maine and houses an outstanding collection of 18th and 19th century paintings, furniture, decorative arts and natural history artifacts. With over 11,000 objects to choose from for the creation of this exhibit, the museum staff selected some of the best items in the permanent collection in specific areas, including furniture, costume, glass, ceramics, and natural history, as well as unusual or curious items. The exhibit featured items from the collection that have regional and national significance, such as the Johnson-Wolcott camera, the first working camera patented in the United States in 1840 and portraits by John Brewster, one of the finest early American folk art painters. The Saco Museum has the largest known collection of Brewster paintings. In addition, the exhibition included rare 19th century bird's eye view lithographs of Saco and Biddeford - the "Google Earth" of their day 


This show featured three different exhibitions. The Lost Gardens of New England was an exhibition organized by Historic New England and presented by the Society for the Preservation of New England Antiquities, Boston, MA. It drew upon the wealth of images – drawings, watercolors, and historic photographs – in Historic New Englands collection. 

Artist in Your Garden was a collaborative exhibit between Saco watercolorist Judith Kinsman and Saco garden designer Carol Galli.

Sacos Historic Parks & Gardens was an exhibition developed by museum staff and volunteers that used historic photographs, postcards, maps and landscape plans to explore how some of Sacos public and private landscapes and gardens have changed or vanished through the years. Pepperell Park and Laurel Hill Cemetery were two of the featured landscape spaces in this exhibit. 



This exhibition brought together some of the most celebrated pieces from the Alfred (Maine) community. Over 300 historic images, drawings, furniture, smalls, and fancy goods were used to explore all aspects of Alfred Shaker community life, including industries and religion.

This was the first major exhibit in many years of Maine Shaker items outside Sabbathday Lake Shaker Village in New Gloucester, Maine. Sabbathday Lake is the only active Shaker community in the world and is where the Alfred Shakers moved in 1931. Simple Gifts was a collaborative effort between the Saco Museum and Sabbathday Lake Shaker Museum.


This juried show featured 100 of New England's finest watercolor artists from Maine, New Hampshire, Vermont, Massachusetts, Rhode Island and Connecticut. Any artist in New England was eligible to submit artwork for the juror to review. Fifteen artists from Maine had work in the exhibit which encompasses three galleries at the museum. A wide range of artistic styles are represented from traditional to abstract contemporary. 



This Smithsonian traveling exhibit examined the origin and fate of the barn in its various roles as an agricultural building and icon. The exhibit explored how barns were built and how their uses have changed.